We read that movement of the Church as a process of symbolic strategy that is used of the symbols of the movements nationalist ressemantizando and accommodating them in its symbolic universe. That process of the dynamics of the imaginary Catholic marks the performance of the Catholic Church in the society. It is the movies he/she becomes a privileged paradigm of the analysis of that process.

Like this the incentive to the films of style documentary that will ennoble those caracteríscas will be winning for Office Cathiolique du Movies (OCIC). Thus, OCIC Cine&Media's Magazine will write: the universe of the short metragem and of the movies documentary it contains a great wealth cinematográfica, artistic, cultural, educational, anthropological and scientific, for the analysis of the problems, for the documentation and for the research that accomplishes, therefore that vehicle is not alone of cultural information, but also of the spectator's formation.

We can notice that the fulcrum of this enunciation is the need of the incentive and the one of the formation of a critical conscience in relation to reality in that locate. The term culture will be linked like this directly with a political connotation that will be instrumentalizada through the image cinematográfica. The movies at this time stops being entertainment to become instrument of political understanding.

Basing on the method to see-judge and to act - the support to the African national movies will be support vehicles to the movements nationalist - " the true expression of the people ". THE notion of action of the popular classes is the creation and they will express of an authentic " culture " when if they free of the jugo in that they live now, and this in elapsing of the own liberation process, since a class cannot be expressed inside in a creative way of an oppression situation. He/she makes like this himself necessary to see - that does her an education problematizadora, a permanent effort through which the men are going noticing critically as it is the world in that meet; for the man to produce is necessary to conquer its human form. The pedagogy and the anthropology. It is important that the man sees the culture as the result of its work, of its creative effort, the culture as systematic acquisition of the human experience, as an incorporation, that critic and creative, and I don't eat a juxtaposition of reports or given prescriptions. In the phase of doing - it is necessary to liberate the práxis, that will result in the accomplishment cinematográfica.

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